Saturday, November 27, 2010

I have been to see two films at press screenings over the past two weeks and, while they are two very different movies, I thought I would review them in the same blog post. First up is Harry Potter and The Deathly Hallows Part 1. Now unfortunately with each Potter film that has been released, they make less and less of an impact on me as a viewer. Harry Potter is one of the few modern film franchises that seems totally impervious to critical response. As I write this, Deathly Hallows Part 1 racked up an opening weekend in the US of $125m and made over £18m just in the UK. So the audience for Potter is so huge around the world that it wouldn't matter if every critic, every magazine and every newspaper slated it. So I am going to present my thoughts here knowing full well that it won't make the blindest bit of difference. Harry Potter and The Deathly Hallows Part 1, directed by David Yates and starring Daniel Radcliffe, Emma Watson and Rupert Grint, adapts the first half of the final Harry Potter novel. School Hogwarts plays no part in this story as villain Voldemort (Ralph Fiennes) has his firm grip on the magical world and so The Deathly Hallows deals with Harry, Hermione and Ron attempting to avoid his agents while working out a way of foiling the evil magician's diabolical plans. There are several problems with this film and the most heinous crime it commits here is that there is no concession to anybody who hasn't lived and breathed Harry Potter for the past decade. Alright, this is the seventh part of a film series but anyone who isn't conversant with the canon or the characters would not understand or really care if they sat and watched this film. Additionally, the opening sequence, where Moody (Brendan Gleeson) alters the appearances of several of the other characters to look like Potter so that Voldemort's agents are thrown off the scent, is a nifty idea but one that is thrown away after the first 15 minutes and replaced by what feels like hours of turgid dullness with Harry, Hermione and Ron wandering through the forests and fields of the country, while all of the grand battles and action seems to occur off-camera. Two-and-a-half hours is a long running time for this, especially when a large proportion of this feels like filler and time-wasting. There are a couple of nice scenes, namely the chase at the beginning and the animated sequence where we learn what the title means is visually very impressive. But perhaps the other scenes were more powerful on the printed page but it slows the pacing down significantly. If all of the key plot moments occur in the second half of The Deathly Hallows, then Part 1 cannot work as a film in its own right. If you are a Harry Potter obsessive, then you would have seen this film already and if you are not a fan or interested in the genre, then you won't see it anyway. Harry Potter and The Deathly Hallows Part 1 is a very frustrating film…
Megamind is the latest animated film from DreamWorks and stars the voice talents of Will Ferrell, Tina Fey and Brad Pitt. Megamind takes the Superman story (alien gets rocketed to Earth from a dying planet) and turns it a little bit on its head. Megamind is the lifelong nemesis of square-jawed Metro Man but when he gets his wish and wipes Metro Man out seemingly for good, his life becomes meaningless. So he sets about creating a new superhero adversary for himself but that's when things start to go wrong. Ferrell as Megamind is extremely good and Pitt ( Metro Man) and Fey (as reporter Roxanne Ritchi) are very talented vocal foils for him. The animation here is fantastic, using 3-D to very impressive effect. The flying sequences are particularly effective but the whole film utilises the format very cannily. Its script is funny and sharp where it needs to be and its mild subversion of superhero and comicbook tropes make it a much cleverer film than you might expect. Its running time of 95 minutes means that it never outstays its welcome and holds your attention throughout. Dreamworks has been one of the only animation houses to truly challenge Pixar's dominance of the modern market and Megamind is a worthy addition to that canon…

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