Wednesday, January 09, 2013

BRITISH INSTITUTION
Ealing Studios was a British institution and it's easy to forget that they didn't just make comedies. This month, Studio Canal have three of their films released (Nowhere to Go, The Titfield Thunderbolt and Dance Hall). Nowhere to Go and Dance Hall have been issued on DVD whereas The Titfield Thunderbolt, tying in with its 60th anniversary, is getting a Blu-ray and a DVD release.
Nowhere To Go is a great British noir film, based on the novel by Donald McKenzie and scripted by Kenneth Tynan, made in 1958. This is an uncut version of the film which has never been released before. Canadian conman Paul Gregory (played by George Nader), has come to London to steal the rare old coin collection of old woman Harriet Jefferson (Bessie Love). He does this successfully but ends up going to prison, sentenced to ten years. The spivvy Victor Sloane (Bernard Lee, playing against type here) helps to break Gregory out of prison but despite the fact he does escape prison, his journey to flee the country is hindered by a number of double crosses and accidents and so he finds himself on the lam with young socialite Bridget Howard (a very young Maggie Smith). Director Seth Holt, who also went on to make Blood From The Mummy's Tomb and The Nanny, moves the action on with panache and Nader is very good as its protagonist and it's refreshing to see Lee in a role that's quite different. Nowhere To Go is an exciting slice of fifties noir with a very British feel and it's certainly worthy of a new home cinema release…
The Titfield Thunderbolt, which was made in 1953, deals with a classic Ealing preoccupation: small town vs big business. A group of railway enthusiasts decide to run their own train when British Rail decides to cancel their service. The restored cut does look lovely on screen but The Titfield Thunderbolt does feel rather lightweight these days. Director Charles Crichton (Lavender Hill Mob) does manage to make the journey entertaining though, with his lightness of touch and bringing the bucolic Titfield to life, and the cast, which includes Stanley Holloway, John Gregson and even a cameo from Sid James, do bring an infectious liveability to what is a very slight film. It's not up there with Ealing's classic output but it is definitely worth a watch…
Finally, Dance Hall, which predates The Titfield Thunderbolt by three years but was also directed by Charles Crichton. This is an odd film: a drama about four factory girls and their romances at the local dance hall. Alexander Mackendrick, who went on to direct The Ladykillers, is one of the screenwriters here and Dance Hall does have its own naive charm. We get to see a young Petula Clark and a youngish Diana Dors as two of the girls, although Dors was never much of an actress. It is interesting to see London in 1950 but much of it feels very artificial. There are some nice moments though: the fight between the two men caught in a love triangle, Alec (Bonar Colleano) and Phil (Donald Houston), is surprisingly well orchestrated and there are some well-delineated relationships between the characters. Natasha Parry as Eve is also stunning and magnetic on screen. It doesn't compare to Ealing's classic films either but it is worth watching if you're an aficionado of British cinema. Dance Hall is a curio but still worth checking out.



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